His card is printed on a relatively smooth, uncoated stock, similar to but whiter than Patrick’s. Now let’s start by saying that there is no evidence of a watermark. We do, however, hear Patrick’s envious voiceover, “Look at that subtle off-white coloring. Since Paul himself isn’t in this part of the scene to present his card, we don’t get a character description of the typeface and paper choice. Overall, his card has a more modern feel than Patrick’s, due mostly to the typeface selection, but the paper texture also gives the card a solid 80’s corporate vibe.Īnd at last, we arrive at the supposed Adonis that is Paul Allen’s card. This means his card is printed flat and lacks the tactile quality of Patrick’s card, though he tries to compensate with the textured paper. One shortcoming is that David’s card isn’t letterpress printed, rather it is conventionally printed (presumably offset, since there weren’t digital printing options in the 1980’s). Though his card is set too high, it is at least centered from left to right, which gives it a slight advantage over Patrick’s card. David describes his card as “Eggshell with Romalian type,” but are in fact printed on heavily textured uncoated paper and set in Bodoni.
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Just like Patrick’s, his card is set off-center, though too high this time, so that the bottom margin has too much white space and the top is too tight. Finally, Patrick’s card has a typo that is shared with the other four cards: all incorrectly spell the word “acquisitions” by omitting the c.Īngle showing the signature letterpress impression into the paper stock David Van Pattenĭavid Van Patten is the second character to show off his business card.
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In addition to the card being out of register, there isn’t a space between the ampersand and “Pierce” in the company name at the top right. This gives the card an unhinged appearance, which might speak to the character’s mental state (though we’ll try to steer clear of film and character analysis here and stick to talking about the cards). It is also set too low so that the tight lower margin of the card is out of balance with the much larger top margin. There are a few problems with Patrick’s card: the type is set off-center, painfully far to the left edge.
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According to the film, Patrick’s card is printed on “bone” colored paper, and is set in a fictional typeface called “Silian Rail.” The actual typeface appears to be Garamond Classico SC (small caps). His card is a close second in popularity to Paul Allen’s and is a style we’ve printed by request numerous times. We’ll start in order of appearance, with Patrick Bateman’s business card. We’re going to take a closer look at the design of this simple business card, along with the other four cards featured in the film, and try to distill why it remains such a popular and beloved card. The card we're referencing is, of course, Paul Allen’s Pierce & Pierce business card from the 2000 horror/thriller film, American Psycho.
FREE BUSINESS CARD MAKER WITH FILM LOGO MOVIE
This card’s celebrity status comes from a three-minute movie scene and is visible for about four seconds, yet it has become one of our most requested cards. Over the years of designing and printing business cards and calling cards, there is one famous card that is referenced time and time again.